Skip to content
1865–1914

Constance.

Madison Julius Cawein

Beyond the orchard, in the lane, The crested red-bird sings again — O bird, whose song says, Have no care. Should I not care when CONSTANCE there,—

My CONSTANCE, with the bashful gaze, Pink-gowned like some sweet hollyhock,— If I declare my love, just says Some careless thing as if in mock?

Like — Past the orchard, in the lane, How sweet the red-bird sings again! There, while the red-bird sings his best, His listening mate sits on the nest —

O bird, whose patience says, All's well, How can it be with me, now tell? When CONSTANCE, with averted eyes,— Soft-bonneted as some sweet-pea,—

If I speak marriage, just replies With some such quaint irrelevancy, As, While the red-bird sings his best, His loving mate sits on the nest.

What shall I say? what can I do? Would such replies mean aught to you, O birds, whose gladness says, Be glad? Have I not reason to be sad

When CONSTANCE, with demurest glance, Her face a-poppy with distress, If I reproach her, pouts, perchance, And answers so in waywardness?—

What shall I say? what can I do? My meaning should be plain to you!

Cookies on Poetry Cove

We use cookies to remember your language preference and — only with your consent — to learn how Poetry Cove is used. You can change your mind any time.
Constance. · Madison Julius Cawein · Poetry Cove