Skip to content
1840–1928

OLD FURNITURE

Thomas Hardy

I know not how it may be with others Who sit amid relics of householdry That date from the days of their mothers’ mothers, But well I know how it is with me

Continually. I see the hands of the generations That owned each shiny familiar thing In play on its knobs and indentations,

And with its ancient fashioning Still dallying: Hands behind hands, growing paler and paler, As in a mirror a candle-flame

Shows images of itself, each frailer As it recedes, though the eye may frame Its shape the same. On the clock's dull dial a foggy finger,

Moving to set the minutes right With tentative touches that lift and linger In the wont of a moth on a summer night, Creeps to my sight.

On this old viol, too, fingers are dancing - As whilom — just over the strings by the nut, The tip of a bow receding, advancing In airy quivers, as if it would cut

The plaintive gut. And I see a face by that box for tinder, Glowing forth in fits from the dark, And fading again, as the linten cinder

Kindles to red at the flinty spark, Or goes out stark. Well, well. It is best to be up and doing, The world has no use for one to-day

Who eyes things thus — no aim pursuing! He should not continue in this stay, But sink away.

Cookies on Poetry Cove

We use cookies to remember your language preference and — only with your consent — to learn how Poetry Cove is used. You can change your mind any time.
OLD FURNITURE · Thomas Hardy · Poetry Cove