Skip to content
1832–1898

CANTO IV.

Charles Lutwidge Dodgson

“Oh, when I was a little Ghost, A merry time had we! Each seated on his favourite post, We chumped and chawed the buttered toast

They gave us for our tea.” “That story is in print!” I cried. “Do n't say it's not, because It's known as well as Bradshaw's Guide!”

( The Ghost uneasily replied He hardly thought it was ). “It's not in Nursery Rhymes? And yet I almost think it is —

‘ Three little Ghosteses’ were set ‘ On posteses,’ you know, and ate Their‘ buttered toasteses.’ “I have the book; so, if you doubt it —”

I turned to search the shelf. “Do n't stir!” he cried. “We'll do without it; I now remember all about it; I wrote the thing myself.

“It came out in a‘ Monthly,’ or At least my agent said it did: Some literary swell, who saw It, thought it seemed adapted for

The Magazine he edited. “My father was a Brownie, Sir; My mother was a Fairy. The notion had occurred to her,

The children would be happier, If they were taught to vary. “The notion soon became a craze; And, when it once began, she

Brought us all out in different ways — One was a Pixy, two were Fays, Another was a Banshee; “The Fetch and Kelpie went to school,

And gave a lot of trouble; Next came a Poltergeist and Ghoul, And then two Trolls ( which broke the rule ), A Goblin, and a Double —

“( If that's a snuff-box on the shelf,” He added with a yawn, “I'll take a pinch ) — next came an Elf, And then a Phantom ( that's myself ),

And last, a Leprechaun. “One day, some Spectres chanced to call, Dressed in the usual white: I stood and watched them in the hall,

And could n't make them out at all, They seemed so strange a sight. “I wondered what on earth they were, That looked all head and sack;

But Mother told me not to stare, And then she twitched me by the hair, And punched me in the back. “Since then I've often wished that I

Had been a Spectre born. But what's the use?” ( He heaved a sigh ). “They are the ghost-nobility, And look on us with scorn.

“My phantom-life was soon begun: When I was barely six, I went out with an older one — And just at first I thought it fun,

And learned a lot of tricks. “I've haunted dungeons, castles, towers — Wherever I was sent: I've often sat and howled for hours,

Drenched to the skin with driving showers, Upon a battlement. “It's quite old-fashioned now to groan When you begin to speak:

This is the newest thing in tone —” And here ( it chilled me to the bone ) He gave an awful squeak. “Perhaps,” he added, “to your ear

That sounds an easy thing? Try it yourself, my little dear! It took me something like a year, With constant practising.

“And when you've learned to squeak, my man And caught the double sob, You're pretty much where you began: Just try and gibber if you can!

That's something like a job! “I've tried it, and can only say I'm sure you could n't do it, e- Ven if you practised night and day,

Unless you have a turn that way, And natural ingenuity. “Shakspeare I think it is who treats Of Ghosts, in days of old,

Who‘ gibbered in the Roman streets,’ Dressed, if you recollect, in sheets — They must have found it cold. “I've often spent ten pounds on stuff,

In dressing as a Double; But, though it answers as a puff, It never has effect enough To make it worth the trouble.

“Long bills soon quenched the little thirst I had for being funny. The setting-up is always worst: Such heaps of things you want at first,

One must be made of money! “For instance, take a Haunted Tower, With skull, cross-bones, and sheet; Blue lights to burn ( say ) two an hour,

Condensing lens of extra power, And set of chains complete: “What with the things you have to hire — The fitting on the robe —

And testing all the coloured fire — The outfit of itself would tire The patience of a Job! “And then they're so fastidious,

The Haunted-House Committee: I've often known them make a fuss Because a Ghost was French, or Russ, Or even from the City!

“Some dialects are objected to — For one, the Irish brogue is: And then, for all you have to do, One pound a week they offer you,

And find yourself in Bogies!”

Cookies on Poetry Cove

We use cookies to remember your language preference and — only with your consent — to learn how Poetry Cove is used. You can change your mind any time.
CANTO IV. · Charles Lutwidge Dodgson · Poetry Cove